Skip to content

PZC Chatometry

A standard system to measure wood chatoyance

Menu
  • Home
  • What is Chatoyance?
    • Curl
    • Ribbon Stripe
    • Other Figures
    • Flecks
    • Growth Rings
    • Knots
  • The PZC method
    • Scale example 1
    • Scale example 2
    • Scale example 3
    • Scale example 4
  • Woods
    • Summary Table
    • Africa
      • Abura
      • Afrormosia
      • Agba
      • Agba
      • Afzelia
      • Aniegre
      • Avodire
      • Azobe
      • Bilinga
      • Bilinga
      • Bomanga
      • Boire
      • Bubinga
      • Cola
      • Ebiara
      • Ebony, Gaboon
      • Etimoe
      • Faro
      • Faro
      • Framire
      • Guarea
      • Iroko
      • Lati
      • Khaya
      • Kosipo
      • Kotibe
      • Kotibe
      • Koto
      • Limba
      • Limba, Black
      • Makore
      • Mansonia
      • Moabi
      • Movingui
      • Niangon
      • Niove
      • Obeche
      • Ocotea
      • Ocotea
      • Ovangkol
      • Okoume
      • Padouk
      • Purpleheart
      • Ramin
      • Rosewood, African Blackwood
      • Rosewood, African Blackwood
      • Rosewood, Madagascar
      • Sapele
      • Sipo
      • Tali
      • Tiama
      • Wenge
      • Walnut, African
      • Zebrawood
    • Asia
      • Acacia, unspecified
      • Ailanthus
      • Albizia, unspecified
      • Alstonia
      • Artocarpus
      • Ash, Tamo
      • Bintangor
      • Bamboo
      • Camphor
      • Coconut
      • Ebony, Black and White
      • Ebony, Macassar
      • Fig, misc.
      • Kapur
      • Keruing
      • Mango
      • Meranti
      • Merbau
      • Mersawa
      • Narra
      • Paulownia
      • Rosewood, Indian
      • Satinwood
      • Sen
      • Sucupira
      • Teak
    • Europe
      • Alder
      • Apple
      • Ash, European
      • Ash, Olive
      • Beech, European
      • Birch
      • Birch, Karelian Burl
      • Black Locust
      • Bog Oak
      • Cedar, European
      • Cherry, Sweet
      • Chestnut, Horse
      • Chestnut, Sweet
      • Cypress, Mediterranean
      • Elm
      • Fir, European Silver
      • Hawthorn
      • Hazelnut
      • Hornbeam
      • Laburnum
      • Lagerstroemia
      • Larch, European
      • London Plane
      • Lime, European
      • Madrone
      • Maple, European
      • Mulberry
      • Oak, Sessile
      • Olive
      • Olive, Russian
      • Poplar, Yellow
      • Pine, Maritime
      • Pine, Swiss Stone
      • Pine, unspecified
      • Pear
      • Poplar
      • Spruce, Fiemme (Ciresa tonewood)
      • Sumac
      • Walnut, European
      • Yew
    • North America
      • Ash, American White
      • Alder, Red
      • Beech, North American
      • Beech, North American
      • Boxelder
      • Butternut
      • Catalpa
      • Cedar, Eastern Red
      • Cedar, Western Red
      • Cherry, Black
      • Cypress, Bald
      • Cypress, Lawson
      • Desert Ironwood
      • Desert Ironwood
      • Dogwood
      • Fir, Douglas
      • Giant Sequoia
      • Hackberry
      • Hemlock
      • Hickory
      • Holly
      • Honey Locust
      • Juniperus misc.
      • Koa
      • Magnolia
      • Maple, Bigleaf
      • Maple, Bigleaf
      • Maple, Hard
      • Mesquite
      • Mesquite
      • Oak, Red
      • Oak, White
      • Osage Orange
      • Osage Orange, Green
      • Red Gum
      • Pecan
      • Pecan
      • Redwood
      • Sassafras
      • Service Tree
      • Sycamore, American
      • Sycamore, American
      • Walnut, Black
      • Walnut, Claro
      • Walnut, Claro
      • Willow
    • Oceania
      • Agathis
      • Ash, Crow’s
      • Australian Blackwood
      • Black Bean
      • Cedar, Australian Red
      • Eucalyptus, unspecified
      • Ash, Mountain
      • Gum, River Red
      • Oak, Tasmanian
      • Jarrah
      • Maple, Queensland
      • Oak, Northern Silky
      • Oak, Southern Silky
      • Pine, Huon
      • She-Oak, River
      • Spotted Gum
      • Tasmanian Myrtle
      • Walnut, Queensland
    • South and Central America
      • Angelim
      • Araucaria
      • Aspidosperma
      • Bloodwood
      • Bocote
      • Canarywood
      • Carapa
      • Cedar, Spanish
      • Cerejeira
      • Chechen
      • Cumaru
      • Curupixa
      • Freijo
      • Garapa
      • Goncalo Alves
      • Goupie
      • Granadillo
      • Guanacaste
      • Guatambu
      • Imbuia
      • Ipe
      • Jacareuba
      • Jatoba
      • Jequitiba
      • Katalox
      • Leopardwood
      • Lignum Vitae
      • Louro Faia
      • Louro Preto
      • Mahogany, Cuban
      • Mahogany, Honduras
      • Massaranduba
      • Nothofagus
      • Osage Orange, Argentine
      • Pao Rosa
      • Peroba Rosa
      • Piquiarana
      • Podocarpus
      • Primavera
      • Rosewood, Brazilian
      • Rosewood, Cocobolo
      • Rosewood, Honduras
      • Rosewood, Kingwood
      • Rosewood, Santos
      • Tatajuba
      • Timbauba
      • Tineo
      • Tulipwood (Brazilian)
      • Ziricote
  • Case studies
    • Roasting Curly Maple
    • Epoxy resin
    • Bleaching Sapele
    • Sapwood vs Heartwood
    • Different Materials
    • Sunlight & Weather
      • Sunlight exposure on purpleheart
      • Sunlight & Weather exposure on sweet cherry
      • Sunlight exposure on field maple
      • Sunlight exposure on Tasmanian Blackwood
      • UV light exposure
    • Finishing
      • Finishing Maple
      • Finishing Curly Maple
      • Finishing Curly Maple – part 2
      • Surface preparation on Curly Maple
      • Incremental grit and finishing on Curly Maple
      • Finishing Okoume
      • Finishing London Plane
      • Finishing Blonde European Walnut
      • Finishing European Ash
      • Finishing European Elm
      • Finishing Etimoe
      • Finishing Sweet Cherry
      • Finishing Ovangkol
      • Finishing European Oak
      • Finishing Birch
      • Finishing Teak
      • Finishing Iroko
      • Finishing Sapele
      • Finishing Sumac
      • Finishing Redbud
      • Finishing Kotibe
      • Finishing Indian Rosewood
      • Finishing Hackberry
      • Finishing Paldao
      • Finishing Bocote
      • Finishing Merbau
      • Finishing Snakewood
      • Finishing Purpleheart
      • Finishing Padouk
      • Finishing Mulberry
      • Finishing Niangon
      • Finishing Tasmanian Blackwood
    • Progressive grit sanding
    • Ultra-fine sanding
    • Supersurfacing
    • Raw Veneer vs fine sanded
    • Cleaning Black Walnut
    • Quartersawn vs Flatsawn
      • Quartersawn vs Flatsawn on London plane
      • Quartersawn vs Flatsawn on Red Oak
      • Quartersawn vs Flatsawn on European Beech
      • Quartersawn vs Flatsawn on Louro Faia
      • Quartersawn vs Flatsawn on White Mulberry
    • Runout Angle
    • Mud Curing on Osage Orange
    • No. 1 – Hawaiian Koa
    • High-res videos
    • Large GIFs [heavy pages…]
      • Large GIFs 1
      • Large GIFs 2
      • Large GIFs 3
      • Large GIFs 4
      • Large GIFs 5
      • Large GIFs 6
      • Large GIFs 7
      • Large GIFs 8
      • Large GIFs 9
      • Large GIFs 10
      • Large GIFs 11
      • Large GIFs 12
      • Large GIFs 13
      • Australian species
    • Wood samples
    • Fresh-cut wood
    • From firewood to PZC results
    • Hunting for Tasmanian Blackwood
    • Included branches and Crotches
    • Chatoyance distribution within a tree
    • Tasmanian Blackwood – heartwood and sapwood
    • Stabilization
    • Microscope pictures
    • Out of the tablesaw
    • Chatoyance vs Fluorescence
    • Patch of Black Cherry trees
    • Spalting
    • Bark
    • Thuya Burl
    • Dying Curly Maple
    • Ammonia fuming
  • Services
  • Shop
  • Credits
  • Contacts

Finishing Purpleheart

This set of tests is aimed at understanding the effect of different finishes on Purpleheart.

A set of 12 solid samples (from “A” to “L”) were employed; unfortunately, these do not start from very similar PZC values. All samples were sanded to 320-grit and then exposed to sunlight for a few hours to give them the typical purpleheart intense colour.

A special thanks goes to company Veleca for supporting us with finish samples.

We tested these finishes:
Sample A: Veleca Palkerol (water based anionic polyurethane – floor finish)
Sample B: Veleca Pinteco (acrylic emulsion – outdoor finish)
Sample C: Veleca Mobil H (water based acrylic – furniture finish)
Sample D: Veleca Nitrolux (thinner based ketone resin – classic furniture finish)
Sample E: Adler Soloplast (alkyd based finish)
Sample F: Veleca Olio per Teak (Tung oil based – exotic wood finish)
Sample G: Boiled Linseed Oil (BLO)
Sample H: Furniture restoring oil
Sample I: Nitrocellulose spray lacquer (NCL)
Sample J: Acrylic spray lacquer
Sample K: Blonde Dewaxed Shellac “Medium” (2 parts in 13 parts of Alcohol)
Sample L: Rubio Monocoat

It was concluded that:
1) The samples provide quite different initial chatoyance values, thus making a direct comparison not very easy.

2) Palkerol, Mobil H and Adler Soloplast seem to provide the best results
3) All these “clear” finishes significantly darken the surface

Tables below summarize the results in terms of chatoyance (PZC):

Tables below summarize the results in terms of brightness (fraction of white paper brightness):

Pictures below show the results:

320-grit – PZC = 12.4
320-grit & sunshine – PZC = 11.2
320-grit & sunshine +2 Palkerol – PZC = 18.3
320-grit & sunshine +1 Pinteco – PZC = 15.6
320-grit & sunshine +1 Mobil H – PZC = 17.9
320-grit & sunshine +1 Nitrolux – PZC = 15.3
320-grit & sunshine +2 Soloplast – PZC = 17.0
320-grit & sunshine +2 Teak Oil – PZC = 14.0
320-grit & sunshine +1 BLO – PZC = 14.3
320-grit & sunshine +3 Furniture Restoring Oil – PZC = 13.2
320-grit & sunshine +1 Nitrocellulose – PZC = 14.1
320-grit & sunshine +1 Acrylic spray – PZC = 15.2
320-grit & sunshine +1 Medium Shellac – PZC = 15.5
320-grit & sunshine +1 Rubio Monocoat – PZC = 11.0

After the finishing trials, the samples were left exposed to direct sunlight for 42 days; this happened during norther Italy late winter, so only a mild sunlight was available. Tables below summarize the results. Brightness generally increased with all finishes except for Teak Oil and Rubio Monocoat. In all cases most of the pink hue was lost.

320-grit +2 Palkerol – PZC = 18.3
320-grit +2 Palkerol +42 days outside – PZC = 19.9
320-grit +1 Pinteco – PZC = 15.6
320-grit +2 Pinteco +42 days outside – PZC = 16.4
320-grit +1 Mobil H – PZC = 17.9
320-grit +2 Mobil H +42 days outside – PZC = 18.4
320-grit +1 Nitrolux – PZC = 15.3
320-grit +2 Nitrolux +42 days outside – PZC = 16.9
320-grit +2 Soloplast – PZC = 17.0
320-grit +2 Soloplast +42 days outside – PZC = 19.6
320-grit +2 Teak Oil – PZC = 14.0
320-grit +2 Teak Oil +42 days outside – PZC = 15.9
320-grit +1 BLO – PZC = 14.3
320-grit +2 BLO +42 days outside – PZC = 17.6
320-grit +3 Furniture Restoring Oil – PZC = 13.2
320-grit +2 Furniture Restoring Oil +42 days outside – PZC = 19.9
320-grit +1 Nitrocellulose – PZC = 14.1
320-grit +2 Nitrocellulose +42 days outside – PZC = 15.2
320-grit +1 Acrylic spray – PZC = 15.2
320-grit +2 Acrylic spray +42 days outside – PZC = 17.6
320-grit +1 Medium Shellac – PZC = 15.5
320-grit +2 Medium Shellac +42 days outside – PZC = 17.6
320-grit +1 Rubio Monocoat – PZC = 11.0
320-grit +1 Rubio Monocoat +42 days outside – PZC = 12.5

Want to know more? Get Woodworker’s Guide to Chatoyance!

Available on Amazon in 12 countries – just click on your flag below…

… and enjoy the read!

Lascia un commento Annulla risposta

Il tuo indirizzo email non sarà pubblicato. I campi obbligatori sono contrassegnati *

PZC Chatometry 2025 . Powered by WordPress